Edith Head believed modesty was unbecoming & that you should have anything you wanted in life, but you had to be dressed for it. Edith head knew about dressing. The legendary designer saw all the Hollywood greats stripped down to their underwear or less. As the stars gazed upon themselves in the studio wardrobe mirrors, Head was the woman standing behind them, making them look impossibly glamorous while carefully avoiding glamour herself.
Hollywood's most famous & influential costume designer, as well as its most prolific, Head had a career that lasted 6 decades. She designed clothes for 1,131 films , an average of 35 a year, she dressed virtually every star who shimmered on screen in the golden age of movie making. Head was the last costume designer to be under contract to a major studio, Paramount. She was a woman who succeeded in a world, which in her day, was dominated by men.
Head wrote a pair of books: The Dress Doctor & How to Dress for Success, & played herself, giving a fashion show commentary in the 1955 film- Lucy Gallant, with Charlton Heston & Jane Wyman.
She could be a bit playful with the truth, taking credit for designs she had not created: Audrey Hepburn's little black dress in Sabrina & the Newman/Redford wardrobe for The Sting, for which she won an Oscar. Always discreet about the size & shape of the stars' bodies, she knew about all the skeletons in their closets, but she was never one to gossip.
Head knew about the intimate secrets of Mae West's vast bosom, Gloria Swanson's wide waist & tiny feet (size 2 1/2), & swan necked Audrey Hepburn's broad shoulders. She often boasted that she was a magician: “I accentuated the positive & camouflaged the rest".
Head would make the stars, with all their flaws, look a million dollars, & she influenced the way millions of women dressed too, as a designer for Vogue patterns at a time when home dressmaking was all the rage, although Head could not sew herself.
Her costume designs for films went global. The sarong she fashioned for Dorothy Lamour in the 1936 film The Jungle Princess, Head had her stitched into it, made the actress a star & was copied by every swimwear manufacturer in the US. It is still copied today.
For Elizabeth Taylor in A Place in the Sun (1951), Head accentuated the teenage star's bosom & tiny waist with a strapless, bouffant-skirted white ballgown, scattered with violets. It became the prom dress for American teenagers when it was copied by all the leading department stores. According to Head, Taylor had the most beautiful shoulders in Hollywood, so she created dresses for her to show them off.
Bette Davis: "Edith Head’s life was all about glamour, 60 years of it, in the most glamorous place in the world- Hollywood," Head designed the brown silk, sable trimmed cocktail dress Davis wore as Margo Channing in All About Eve, warning everyone as she swept down the staircase for the big party scene to fasten their seat belts because it was going to be a bumpy night. Davis tried on the finished gown the bodice & neckline were way too big. Head was horrified, but Davis pulled it off her shoulders & shook one shoulder sexily: “Doesn't it look better like this anyway?" Head won one of her 8 Oscars for that film. Davis later bought the dress for herself, because she loved it so much. Head: "There were 8 important men in my life, & they were all named Oscar."
Head was working as a language teacher at the Hollywood School for Girls in 1932 when she bluffed her way into Paramount's wardrobe department. She already had a B.A. from Berkeley & a master's from Stanford, but then went to study art at the Otis Art Institute & the Chouinard School. She was hired by the studio as a sketch artist, although the fashion drawings.
By 1938, she was head designer, working on every prestigious production the studio made, and left only in 1967, when she joined up with Universal. Head spent the remainder of her career here, thanks to her friendship with Alfred Hitchcock, including Tippi Hendren's smart green suit made of textured tweed that would snag easily during an avian attack.
Head's career was not without controversy. After winning her Oscar for The Sting, she was sued by the illustrator who really designed Redford & Newman's clothes. The truth about her design of Audrey Hepburn's little black dress emerged only after her death, when the Paris couturier Hubert de Givenchy quietly admitted that he'd come up with the frock that was copied everywhere & worn by a generation of women; Head had designed all the other costumes in the film.
Head also adored Grace Kelly & was upset when the actress slighted her by not inviting her to design the wedding dress when she got married to Prince Rainier of Monaco. She did create Princess Grace's grey going-away suit, though.
Head: "I regret never having dressed Marilyn Monroe, never designing uniforms for the Chicago Cubs, & being alone. It is much easier being remembered than trying to remember." It was an open secret in Hollywood that Edith Head was a lesbian.
In the Pixar film- The Incredibles, the personality & mannerisms of the film's fictional superhero costume designer- Edna Mode’s sense of style, round glasses, & assertive no-nonsense character are very are a direct homage to Head's legendary accomplishments & personality.
I am so in Junior High School, & I, of course, think it was fun to write the word- HEAD 24 times.
Hollywood's most famous & influential costume designer, as well as its most prolific, Head had a career that lasted 6 decades. She designed clothes for 1,131 films , an average of 35 a year, she dressed virtually every star who shimmered on screen in the golden age of movie making. Head was the last costume designer to be under contract to a major studio, Paramount. She was a woman who succeeded in a world, which in her day, was dominated by men.
Head wrote a pair of books: The Dress Doctor & How to Dress for Success, & played herself, giving a fashion show commentary in the 1955 film- Lucy Gallant, with Charlton Heston & Jane Wyman.
She could be a bit playful with the truth, taking credit for designs she had not created: Audrey Hepburn's little black dress in Sabrina & the Newman/Redford wardrobe for The Sting, for which she won an Oscar. Always discreet about the size & shape of the stars' bodies, she knew about all the skeletons in their closets, but she was never one to gossip.
Head knew about the intimate secrets of Mae West's vast bosom, Gloria Swanson's wide waist & tiny feet (size 2 1/2), & swan necked Audrey Hepburn's broad shoulders. She often boasted that she was a magician: “I accentuated the positive & camouflaged the rest".
Head would make the stars, with all their flaws, look a million dollars, & she influenced the way millions of women dressed too, as a designer for Vogue patterns at a time when home dressmaking was all the rage, although Head could not sew herself.
Her costume designs for films went global. The sarong she fashioned for Dorothy Lamour in the 1936 film The Jungle Princess, Head had her stitched into it, made the actress a star & was copied by every swimwear manufacturer in the US. It is still copied today.
For Elizabeth Taylor in A Place in the Sun (1951), Head accentuated the teenage star's bosom & tiny waist with a strapless, bouffant-skirted white ballgown, scattered with violets. It became the prom dress for American teenagers when it was copied by all the leading department stores. According to Head, Taylor had the most beautiful shoulders in Hollywood, so she created dresses for her to show them off.
Bette Davis: "Edith Head’s life was all about glamour, 60 years of it, in the most glamorous place in the world- Hollywood," Head designed the brown silk, sable trimmed cocktail dress Davis wore as Margo Channing in All About Eve, warning everyone as she swept down the staircase for the big party scene to fasten their seat belts because it was going to be a bumpy night. Davis tried on the finished gown the bodice & neckline were way too big. Head was horrified, but Davis pulled it off her shoulders & shook one shoulder sexily: “Doesn't it look better like this anyway?" Head won one of her 8 Oscars for that film. Davis later bought the dress for herself, because she loved it so much. Head: "There were 8 important men in my life, & they were all named Oscar."
Head was working as a language teacher at the Hollywood School for Girls in 1932 when she bluffed her way into Paramount's wardrobe department. She already had a B.A. from Berkeley & a master's from Stanford, but then went to study art at the Otis Art Institute & the Chouinard School. She was hired by the studio as a sketch artist, although the fashion drawings.
By 1938, she was head designer, working on every prestigious production the studio made, and left only in 1967, when she joined up with Universal. Head spent the remainder of her career here, thanks to her friendship with Alfred Hitchcock, including Tippi Hendren's smart green suit made of textured tweed that would snag easily during an avian attack.
Head's career was not without controversy. After winning her Oscar for The Sting, she was sued by the illustrator who really designed Redford & Newman's clothes. The truth about her design of Audrey Hepburn's little black dress emerged only after her death, when the Paris couturier Hubert de Givenchy quietly admitted that he'd come up with the frock that was copied everywhere & worn by a generation of women; Head had designed all the other costumes in the film.
Head also adored Grace Kelly & was upset when the actress slighted her by not inviting her to design the wedding dress when she got married to Prince Rainier of Monaco. She did create Princess Grace's grey going-away suit, though.
Head: "I regret never having dressed Marilyn Monroe, never designing uniforms for the Chicago Cubs, & being alone. It is much easier being remembered than trying to remember." It was an open secret in Hollywood that Edith Head was a lesbian.
In the Pixar film- The Incredibles, the personality & mannerisms of the film's fictional superhero costume designer- Edna Mode’s sense of style, round glasses, & assertive no-nonsense character are very are a direct homage to Head's legendary accomplishments & personality.
I am so in Junior High School, & I, of course, think it was fun to write the word- HEAD 24 times.
From Edith Head's HOW TO DRESS FOR SUCCESS:
How to attreact & keep a man:
1. Decide want kind of man you want.
2. Find out what kind of girls he likes.
3. Know what kind of fashions pleases him.
4. Don’t masquerade in clothes you hate just to attract a man. Be sure you are really, deep down inside, this kind of girl. If not, find another man!
5. Learn all you can about him: his hobbies, his interests, his likes, his dislikes.
6. Be interested in his interests.
7. Choose your wardrobe to please him & suit his way of life.
8. After you get him, stay the way you were & don’t relax into a post-marriage slump of careless marriage.
9. Look reasonably enticing in the morning & better at nightFrom her book- Dress for Success, Edith Head’s Success Formula For Dressing To Get A Man & Keep Him:
