Born On This Day- April 5th... Gay Icon, Ruth Elizabeth Davis

"Everybody has a heart. Except some people."

Bette Davis

I believe All About Eve to be a perfect film, with not a wasted piece of dialogue or an unnecessary scene. It is one of the greatest films about theatre of all time. For me, Margo Channing is the finest & bravest Bette Davis creation (she lost the Oscar to Judy Holliday in Born Yesterday).

For me, Davis was a movie star, but also the most fearless & the least vain actresses of the Golden Age. I am fan of all her 6 decades of work on stage, & on film with Of Human Bondage, The Petrified Forest, Jezebel, The Old Maid, Elizabeth & Essex, The Letter, All This & Heaven Too, The Little Foxes, Old Acquaintance, Pocket Full Of Miracles, & What Ever Happened To Baby Jane among my favorites.

Besides Margo Channing, my favorite would have to be Bette’s work in 1987’s The Whales of August, featuring an understated Vincent Price, a rare & delicate late career performance by the great Lillian Gish, whose career stretched back to the films of D.W. Griffith, & Ann Sothern in her only Oscar nominated performance. But for me the true enjoyment of this film came from seeing Bette Davis do again what Bette Davis always could do: create an indelible, complex character & command every scene in which she appears.

When she was filming Whales of August, the cast & crew were having dinner when Davis started complaining about Joan Crawford. Cast member Harry Carey Jr, became unhappy & told Davis that Crawford had been his friend & that he didn't want to hear anything negative about her. Davis, without missing a beat, responded, "Just because a person's dead doesn't mean they changed."

Davis bickered with her directors over the smallest details, & had a reputation for being difficult to work with. Still, she was so beloved by audiences that she was in great demand, & is one of the few actors in history who worked until the very end of her life, making well over a 100 films. She would dare us to hate her, & we often did, which is why we loved her.

Warner Brothers treated Davis badly for many years, & they paid her far less than other stars. She sued the company & lost, but the court case gave her much valuable publicity. She was able to create a new persona for herself on her own terms, as a strong-willed independent thinker, as strong as any man.

Bette Davis has been an icon for generations of gay men. She helped them learn that with wit, style & camp, it is possible to transcend the hard, unhappy, hateful & often humiliating world that was given to us.

Gray Matter

Barbara Stanwyck, 1962

Bette Davis in The Nanny (1965, Hammer)

Joan Crawford, 1964

Face Off

Constance Bennett in Madame X (1966, Universal)

"Her face was her talent, and when it dropped, so did her career -- right out of sight!" - Bette Davis on Constance Bennett

Bette Davis in Dead Ringer (1964, Warner Bros.)

The Fabulous Forties

The ideal American beauty, circa 1941

The great screen beauties of the 1940's are a peculiar bunch: for the most part, their stardom (which, in some cases, was extraordinary) failed to outlast the decade. The wartime sirens didn't become warhorse troupers, unlike those whose fame came to the fore in the 1930's, chief among them, Joan Crawford, Bette Davis, Katharine Hepburn, Barbara Stanwyck, Marlene Dietrich, Rosalind Russell, and Olivia de Havilland -- all of whom continued their careers with their stardom undimmed well into the future decades. And even the newer stars that followed in the 1950's, as television encroached and the studio system crumbled, seemed to have greater staying power: witness the longevity of Elizabeth Taylor, Audrey Hepburn, Doris Day, Sophia Loren.

Timeless faces, top to bottom: Joan Crawford, Bette Davis, Marlene Dietrich, Elizabeth Taylor, Audrey Hepburn

The number one box office attraction of the 1940's, Betty Grable, despite remaining a beloved star and icon of her time, was washed up in pictures by 1953. The decade's reigning musical star, Judy Garland, became an even greater legend by the 1950's and 1960's, but largely on the basis of her concert performances and personal triumphs and tragedies -- Garland only acted in four more films after 1950. Only Lana Turner emerged from the 1940's with her movie stardom intact -- and even that was badly waning throughout the entire 1950's, until a potentially damning scandal gave the former Sweater Girl such notoriety that her box office appeal suddenly went into a third act revival.

Lana Turner, a legend in three acts: superstar (1947), on the skids (1950), resurrection (1959)

Most of the celluloid goddesses of the 1940's are frozen in amber, forever shrouded in the shadows of film noir, or enshrined in the nobility of wartime pluck and determination. Unlike their supercharged 1930's predecessors, their glamour wasn't a fantastical illusion, but somehow more realistic -- while still more remote, moody and less approachable than those who inherited the mantle in the 1950's. Over the next few weeks, we shall showcase some of our favorites from the fabulous, fleeting, Forties. Most made films before and after, but the basis of their stardom is contained in that one unique decade. We inaugurate this series with the Most Beautiful Girl in the World...

Which One Are You?

A 4 o'clock fag...

...or a 12 o'clock girl in a 9 o'clock town?

Hidden Jewell

Gertrude Lawrence

Joan Davis

The most popular guesses for our latest Mystery Guest were, respectively, musical comedy legend Gertrude Lawrence and comedienne Joan Davis. Popular, but wrong. Personally, while we can see shades of Gertie in our MG, we don't see Davis at all -- but we would have understood, had any of you guessed Katherine Cornell, Ilka Chase, or even Gloria Guinness!

Katharine Cornell

Ilka Chase

Gloria Guinness

You would, however, still have been wrong. No, our Mystery Guest is not any of these soignee, gracious ladies of the thea-tah or society pages; she's Isabel Jewell, the snappy broad who will be forever immortalized as "that poor white trash, Emmy Slattery" in Gone with the Wind (1939).

Miss Jewell specialized in playing tough cookies; she was even romantically linked in real life with the fast-talking actor Lee Tracy, which would have been a marriage made in pre-Code heaven. Among her more notable appearances were Manhattan Melodrama (1934), which is remembered as the first pairing of William Powell and Myrna Loy, as well as the last film John Dillinger ever saw (he was gunned down by federal agents upon exiting the theater); and as one of Bette Davis' fellow dance hall "hostesses" in Marked Woman (1937).

L-R: Mayo Methot, Lola Lane, Bette Davis, Rosalind Marquis and Isabel Jewell in Marked Woman (1937, Warner Bros.)

Aside from her gallery of various floozies, chippies and molls, Jewell also won notice for her against-type portrayal of a doomed seamstress destined for the guillotine in A Tale of Two Cities (1935). Her most substantial role, however, was as the sympathetic prostitute in Lost Horizon (1937).

Publicity for Lost Horizon (1937, Columbia)

Despite her strong showings in an impressive number of major, A list features, Jewell's career went into an almost immediate decline following Gone with the Wind; she appeared in such unsavory productions as Babies for Sale (1940) and the Poverty Row comedy Danger! Women at Work (1943).

Lobby card for Danger! Women at Work (1943, PRC)

By the end of the 1940's, Jewell was back in prestige productions like The Snake Pit and Unfaithfully Yours (both 1948), but in unbilled bit parts. Around this time, she also began cultivating a considerably more refined image, after years of being typecast as the brassy blonde.

Isabel Jewell, ca. 1940's

During the 1950's, television brought a steadier flow of work, but like so many unfortunate cases before her, Jewell fell on hard times: she was arrested in 1959 for passing bad checks, and again a few years later for drunk driving. She died at age 64, from undisclosed causes, in 1972; and posthumously entered the cult film annals via her appearances as Edie Sedgwick's mother in Ciao! Manhattan (1972) and a snoopy landlady in Tab Hunter's sleaze-shocker Sweet Kill (1973).

Isabel Jewell, ca. 1964

The profile-less "David" correctly guessed Miss Jewell, as did our ever-astute Toby Worthington -- a "jewell" of a fellow, himself. As always, thanks for playing, darlings; and for being patient while you waited for the reveal!

What Might Have Been

Instead of a dreary day without sunshine with Anita Bryant...


...how about some in-your-face salesmanship from La Davis?


"But-cha ARE, Blanche, ya ARE a fruit! Just like this ORRRRR-ange juice! So DRINK it!"

Shady Dames

No Love Lost

"Miss Hayward was very unkind to me on the set of Where Love Has Gone [1964]...I didn't know until later that she had been called 'The Poor Man's Bette Davis.'" - Bette Davis

"Del-la, Del-la, Del-la! The let-tah!"

Barbara Hale and Bette Davis in "The Case of Constant Doyle" on Perry Mason (January 31, 1963)

Quote Of The Day

“I’m the nicest goddamn dame that ever lived” 

 Bette Davis

Born On This Day- April 5th... Ruth Elizabeth Davis

"Everybody has a heart. Except some people."

Bette Davis

I believe All About Eve to be a perfect film, with not a wasted piece of dialogue or an unnecessary scene. It is one of the greatest films about theatre of all time. For me, Margo Channing is the finest & bravest Bette Davis creation (she lost the Oscar to Judy Holliday in Born Yesterday).

Davis was a movie star, but also the most fearless & the least vain actresses of the Golden Age. I am fan of all her 6 decades of work on stage, & on film with Of Human Bondage, The Petrified Forest, Jezebel, The Old Maid, Elizabeth & Essex, The Letter, All This & Heaven Too, The Little Foxes, Old Acquaintance, Pocket Full Of Miracles, & What Ever Happened To Baby Jane among my favorites.

Besides Margo Channing, my favorite would have to be Bette’s work in 1987’s The Whales of August, featuring an understated Vincent Price, a rare & delicate late career performance by the great Lillian Gish, whose career stretched back to the films of D.W. Griffith, & Ann Sothern in her only Oscar nominated performance. But for me the true enjoyment of this film came from seeing Bette Davis do again what Bette Davis always could do: create an indelible, complex character & command every scene in which she appears.

When she was filming Whales of August, the cast & crew were having dinner when Davis started complaining about Joan Crawford. Cast member Harry Carey Jr, became unhappy & told Davis that Crawford had been his friend & that he didn't want to hear anything negative about her. Davis, without missing a beat, responded, "Just because a person's dead doesn't mean they changed."

Davis bickered with her directors over the smallest details, & had a reputation for being difficult to work with. Still, she was so beloved by audiences that she was in great demand, & is one of the few actors in history who worked until the very end of her life, making well over a 100 films. She would dare us to hate her, & we often did, which is why we loved her.

Warner Brothers treated Davis badly for many years, & they paid her far less than other stars. She sued the company & lost, but the court case gave her much valuable publicity. She was able to create a new persona for herself on her own terms, as a strong-willed independent thinker, as strong as any man.

Bette Davis has been an icon for generations of gay men. She helped them learn that with wit, style & camp, it is possible to transcend the hard, unhappy, hateful & often humiliating world that was given to us.

Fasten Your Seat Belts

"I have been uncompromising, peppery, intractable, monomaniacal, tactless, volatile and ofttimes disagreeable. I suppose I'm larger than life." - Bette Davis

Back to Black

Juarez (1939, Warner Bros.)

Beyond the Forest (1949, Warner Bros.)

(as Margo Channing in Aged in Wood) All About Eve (1950, 20th Century Fox)

You Mean, All This Time...?

"There is no need to hole up in an apartment and die alone. No. None. Poor Joan. I wish I could have liked her more." - Bette Davis

Strong Dames

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The sum is not greater than the parts, but each component is pretty fabulous.