Showing posts with label lyricists. Show all posts
Showing posts with label lyricists. Show all posts

Saturday, June 9, 2012

Born On This Day- June 9th... Cole Porter


At a very young age, I was so enamored of the songs of Cole Porter & the story of his life & friendships, that my parents gave me huge “coffee table” book about this great American songwriter for Christmas when I was 11 years old, & then followed it up with another big book of his collected lyrics for my birthday the next week. I still have both books.


Born in Peru, Indiana in 1891, Porter studied music from an early age, & began composing as a teenager. After high school he attended Yale University, where he was voted “most entertaining man.” He went on to law school at Harvard University, but his interest remained in music. At Harvard he continued to write songs, & a some of his pieces were used in Broadway musicals.

In 1916, his first full score was performed. The musical-See America First was a flop & closed after only 15 performances. Bruised by the experience, he began to travel around Europe & got an apartment in Paris. This was the beginning of his lifelong affection for the city, which he would return to in songs- You Don’t Know Paree & I Love Paris. During his time in Europe, Porter contributed to many musicals, but until his song- Let’s Do It, Let’s Fall In Love appeared in the 1928 musical Paris, he had not had a big hit. Paris was a place Cole flourished socially. He attended parties with his pal Noel Coward. The parties of the era were elaborate & fabulous, attended by the upper crust. His own parties were marked by gay & bisexual activity, cross-dressing, international musicians & actors, & a large surplus of recreational drugs. I sometimes think I was born in the wrong era, the very theme of Woody Allen’s 2011 film- Midnight In Paris, my favorite film of the new decade.

Porter started spending time with American divorcee- Linda Thomas, & they became close friends quickly. Their financial status & social status made them prefect as a married couple.The fact that Linda's ex-husband was abusive & Cole was gay made the arrangement even more perfect. Linda was always one of Porter's staunch supporters & being married increased his chance of success. Being married to Porter allowed Linda to keep high status in society for the rest of her life. They married in 1919 & lived in a happy arrangement, a successful public relationship, but a sexless marriage until Linda's death in 1954.

Porter was happy with a life in Hollywood in the 1930s, including a more liberal movie industry where Porter enjoyed more open sexual adventures. At the time, it was somewhat more acceptable to be an eccentric gay artist, but Linda feared for Porter’s reputation & career. Her social standing was threatened by his activities & the rumors in upper-crust social circles.
Despite a horseback riding accident in 1937 that crippled him for life, Porter produced much of his best work in the 1940s &1950s. He wrote 100s of songs for Broadway shows, movie musicals, & TV specials. His most successful musical- Kiss Me Kate opened in 1948 & ran for over a 1000 performances. A recluse in his later years, Porter died in California in 1964.

In 1945 the film Night & Day was made with Cary Grant, allegedly about the life of Cole Porter. This movie has almost nothing to do with the actual life of the songwriter. Night & Day leaves out the important elements of his gay life, & his sexless marriage of convenience.

The 1990 album- Red, Hot, & Blue features Cole Porter songs sung by popular musicians of the 1980s & 1990s. It remains a favorite of mine. The dismal 2004 movie- De-Lovely, with an improbable Kevin Kline as Porter, came a tiny bit closer to the true story & featured beautiful sets, major actors, famous current musicians, & a strong Hollywood marketing campaign for the movie & the soundtrack. But for me, this movie is a miserable mess.

The songs of Cole Porter are very important to me. This is my favorite:

Thursday, May 17, 2012

Born On This Day- May 17th... Lyricist Bob Merrill




I possess a great passion for the art of the popular song. I have a large library of books by & about 20th century songwriters including everyone from Irving Berlin to Sting, Occasionally mentioned as one of the worst songwriters of all time based on his penchant for coming up with best selling novelty songs: If I’d Known You Were Comin’, I'd Have Baked a Cake, Honeycomb, How Much Is That Doggie In the Window?, Pittsburgh Pennsylvania & Mambo Italiano.

Unfair when Bob Merrill is responsible or the music or lyrics for successful Broadway musicals: New Girl In Town, Take Me Along, Carnival, & Funny Girl. But, by the other turn, he gave us the monumental flops: Breakfast At Tiffany’s, Henry, Sweet HenrySugar, & The Red Shoes. He also wrote the book & lyrics for the Angela Lansbury vehicle Prettybelle , & the music & lyrics for the Robert Preston musical The Prince of Grand Street , both of which closed during their Boston tryouts. He was nominated for the Tony Award 8 times, but never won. He was nominated for an Oscar for the song- Funny Girl.

Merrill finally tired of the Broadway grind & turned to writing screenplays: the 1975 film Mahogany, starring Diana Ross, WC Fields & Me, with Rod Steiger; Chu Chu & the Philly Flash with Carol Burnett; & Portrait of a Showgirl, starring Rita Moreno, Leslie Ann Warren & Tony Curtis.



Suffering from depression, Bob Merrill took his own life on February 17, 1998 in Los Angeles, California.


Friday, May 11, 2012

Born On This Day- May 11th... Great American Songwriter, Irving Berlin


He was not gay, & he was a Jew who wrote the best selling Christmas song of all time. His life spanned more than 100 years & he composed over 1000 songs. Irving Berlin was born Israel Beilin in 1988, his exact place of birth is unknown, although his family had been living in Tolochin, Russia, when they immigrated to New York in 1893. When his father died, Berlin, just turned 13, worked the streets in various odd jobs, singing for pennies, then as a singing waiter in a Chinatown Cafe. In 1907 he published his first song, Marie from Sunny Italy, & in 1911 he had his first major international hit - Alexander's Ragtime Band.



For 5 decades, Irving Berlin composed ballads, dance numbers, novelty tunes & love songs that defined American popular song for much of the century. Irving Berlin standards include: How Deep Is the Ocean, Blue Skies, White Christmas, Always, Anything You Can Do I Can Do Better, There's No Business Like Show Business, Cheek to Cheek, Puttin' on the Ritz, A Pretty Girl is Like a Melody, Heat Wave, Easter Parade, Let's Face the Music & Dance, & God Bless America.



He wrote for Broadway & Hollywood. He composed 17 complete scores for Broadway musicals & revues, including the phenomenal score for Annie get Your Gun. Among the Hollywood movie musical classics with scores by Irving Berlin are Top Hat, Follow The Fleet, On The Avenue, Alexander's Rag Time Band, Holiday Inn, This Is The Army, Blue Skies, Easter Parade, White Christmas & There's No Business Like Show Business. His songs have provided memorable moments other films, from The Jazz Singer in 1927 to Home Alone in 1991. Among his many awards are a dozen Grammys, 2 Tony Awards & the Academy Award for White Christmas in 1942.


In 1978, a jaw-droppingly handsome young man with deep blue eyes, stood center stage, straight up & still & with a sweet pure tenor, sang the 1924 Irving Berlin tune- What’ll I Do? for an audition. I was impressed with his looks & his talent. More than a year later this young man would tell me that he was in love with me while Harry Nillson sang What'll I Do on the stereo in the background. This man would eventually become my Husband & I would spend more than half of my life at his side. What’ll I Do remains my favorite Irving Berlin song, although I love them all. I also have quite a soft spot for You Can’t Get A Man With A Gun:

Oh, a man may be hot...
But he's not... 
When he's shot! 
Oh you can't get a man with a gun!

Sunday, April 8, 2012

Born On This Day- April 8th... Fred Ebb

"One thing I know, & I've always known is I am my own best friend"
Chicago (1977)


You readers know by now that I have a passion for the lyrics that go with the music. Fred Ebb was a real master of the the musical theatre & the popular song. His work has had a huge influence on me & I had the privilege of performing his songs when I played Herr Shultz in Cabaret in Seattle in 1990. His lyrics have touched me, entertained & amazed me for over 5 decades.




He is dead now, bu his last show on Broadway opened after he was gone - The Scottsboro Boys... now that is prolific! As a writer, lyricist, composer & director, Fred Ebb made incalculable contributions to the theatre & popular song. Ebb is a Tony, Grammy, Emmy, Olivier & Kennedy Center Honors Lifetime Achievement Award winner. Ebb's first professional songwriting assignment came in 1953 when he was hired by Columbia Records to write a song for Judy Garland called Heartbroken. Ebb was introduced to composer John Kander in 1964 by music publisher Tommy Valando & they became one of the most legendary songwriting teams in American Theatre history. Their first successful collaboration was the song My Coloring Book recorded by Barbra Streisand.


Their second theatrical collaboration, Flora, the Red Menace, created a star out of Liza Minnelli in her Tony Award winning Broadway debut. In 1966, Cabaret, opened & received 7 Tony Awards including Best Musical & Best Score. A 1972 movie version of Cabaret starring Liza Minnelli was nominated for 10 Academy Awards & won 8, & was nominated for 9 Golden Globe Awards & won 3 including Best Picture Musical or Comedy. The same year, the songwriting team wrote a number of songs for Minnelli's television special Liza With a Z, directed by Bob Fosse which received an Emmy Award. In 1975, the pair wrote the Broadway musical Chicago, directed by Bob Fosse & starring Gwen Verdon, Chita Rivera & Jerry Orbach.


That musical was successfully revived 20 years later at City Center ENCORES! & subsequently transferred to Broadway where it is currently the longest running revival in Broadway history. In 1977, the team collaborated with Martin Scorsese on the movie New York, New York; the title song was introduced by Liza Minnelli & later recorded by Frank Sinatra, becoming the unofficial theme song of New York City. The Minnelli Broadway vehicle The Act also opened that year. After a 4 year absence, Ebb & Kander returned with Woman of the Year (1981), The Rink (1984), Kiss of the Spiderwoman (1985) & Steel Pier (1997). The 2002 feature film Chicago was nominated for 13 Academy Awards & won 6, including Best Picture & was nominated for 8 Golden Globe Awards & won 3, including Best Picture, Musical or Comedy.


2 of his "flops" Zorba (1968) & 70 Girls 70 (1971) are 2 of my favorite scores.


For most of his professional life, Ebb lived & worked in an apartment overlooking New York's Central Park. It had a terrific view. His apartment was decorated with theatre memorabilia & German Expressionist paintings & drawings, & he collected record albums as a hobby. Ebb died on September 11, 2004.



Its good, isn't it?
Grand, isn't it?
Great, isn't it?
Swell, isn't it?
Fun, isn't it?
Nowadays

There's men, everywhere
Jazz, everywhere
Booze, everywhere
Life, everywhere
Joy, everywhere
Nowadays

You can like the life you're living
You can live the life you like
You can even marry Harry
But mess around with Ike

& that's good, isn't it?
Grand, isn't it?
Great, isn't it?
Swell, isn't it?
Fun, isn't it?
But nothing stays
In 50 years or so
It's gonna change, you know
But, oh, it's heaven
Nowadays

Thursday, March 22, 2012

Born On This Day- March 22nd... Post Apocalyptic Bohemian Favorite- Stephen Sondheim



The Husband: “ I can't belive that you still have not cracked Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes & Miscellany that you just had to have even though you never finished Finishing the Hat: Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines & Anecdotes. Stephen: "Some things are so cherished that I can't bear to soil them. I am treasuring it, waiting for the perfect afternoon to spend with it. I will know when that moment is right. As Sondheim said in Into The Woods: 'I was raised to be charming, not sincere'." Today is such a day. With a light dusting of springtime snow last night, I am enjoying an unexpected day off, warm & toasty at Post Apocalyptic Bohemia, drinking tea & wasting the day away.




The greatest composer/lyricist for the theatre & I have some history together.

In the spring of 1973, I saw A Little Night Music in the pre-Broadway tryout in Boston. I was my late teens, 2500 miles from home, & sporting a huge red afro; I sat in the darkened, half-filled theatre & let the magic & enchantment wash over me. This was not my 1st Sondheim. I had, of course, seen West Side Story & Gypsy!. When 17 years old, I had talked my parents into letting me go to San Francisco all by myself to see the original cast (minus Dean Jones) of Company (I had more than just a little fun freely footloose & 17 in San Francisco in 1971). I had worn out the Original Cast Album of Follies the same year.

5 years later, I would play Henrik in A Little Night Music, a fabulous role & the closest I ever came to playing an ingénue. The character plays the cello. Traditionally the orchestra’s cello plays the music while the actor mimes the playing. Because I actually can play the cello, & I was able to do my own cello work. I thought this gave my performance a bit more authenticity, although I had to practice for hours & hours to be able to the play cello & sing at the same time… in character. I found this rather daunting & I worked hard to make it work. I understand that I was rather convincing in this role.

Your Host in A Little Night Music, circa 1977

I would go on to play Hysterium in A Funny Thing Happened On The Way To The Forum on 2 occasions, including a long run at Seattle Civic Light Opera.

I did another long run in a sold out, & extended production of Side By Side By Sondheim, a musical revue of collected songs from several produced & un-produced Sondheim musicals. Among the songs I was so very lucky to perform in that show, was my favorite Sondheim tune- Anyone Can Whistle. Via the wonders of Facebook, the director of Side by Side & I reconnected & he sent me a DVD of the show. I am not all that keen for watching myself on screen, but I was pleasantly surprised at how good the show was, how young I looked, how much hair I had, & what a captivating, compelling, curious, & clever vocalist I was 26 years ago. I was also sort of hot, with single digit body fat, curly red hair, & discreet risqué deportment. I totally would have done me.

I sang Not A Day Goes By from Merrily We Roll Along for auditions for a few years in the 1980s, until I decided that singing Sondheim for auditions was cliché & too gay… even for me.



I was aware early on, that Stephen Sondheim was a homosexual, & it did give some solace when I was grappling with coming out. Sondheim came out as gay only when he was 40, & he did not live with a partner until he was 61. He shared his life with writer- Peter Jones, until 1999, living at the Turtle Bay house that has been Sondheim’s home & writing place since the early 1960s. Katharine Hepburn used to live next door. Sondheim: “up one night at about 3, pounding on the piano, writing The Ladies Who Lunch for Company, when I heard this banging on the door. There was Hepburn, in a babushka & no shoes, saying, ‘Young man, I cannot sleep with the noise you’re making’.”

Sondheim: “If I had to live my life over again, I would have children. That’s the great mistake I made. It’s too late now. The idea of being a homosexual & raising children was one that was just not acceptable until, my goodness, I’d say the 1970s or 1980s. You want to live long enough to see your children grow up, they’re not puppies. The joy is not just to have them, but to watch them change & grow. So, yes, that is a great regret. But as Bach proved to a great degree, you can have both. It would be nice to have both. But to have any outlet for creative energy is indeed a very good emotional substitute for not being able to put that energy into the raising of a family.”

There is common thought on Sondheim, that although he can do LOVE in a theatre piece, he struggles when it enters his own life. Even people who follow him closely have assumed that he was single. It came as a surprise in 2006 when he announced: “I have someone else now, his name is Jeff. We celebrated our 7th anniversary. Jeff is a great joy in my life & once I had tasted the joys of living with someone, I wanted to live with someone else when it broke up.”

There is the work though; about 20 major stage shows, music & lyrics: A Funny Thing Happened On The Way To The Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday In The Park With George (1984), Into The Woods (1987), Assassins (1991), Passion (1994), Bounce (2003) which later became Road Show (2008), as well as lyrics for West Side Story (1957), Gypsy (1959), Do I Hear A Waltz? (1965), Candide (1973). Plus the revues: Side By Side By Sondheim (1976), Marry Me A Little (1981), You're Gonna Love Tomorrow (1983), Putting It Together (1993/99) Moving On (2001) & Sondheim on Sondheim (2010) that are anthologies of his work as composer & lyricist. For films, he composed the scores of Stavisky (1974) & Reds (1981) & songs for The Seven Percent Solution (1976) & Dick Tracy (1990). He also wrote the songs for the television production Evening Primrose (1966), co-authored the film The Last of Sheila (1973) & the play Getting Away With Murder (1996). In total, his works have accumulated more than 65 individual & collaborative Tony Awards & an Oscar.


Sondheim created cryptic crosswords for New York Magazine in the late 1960s. He was screenwriter for the television series Topper (1953) & The Last Of Sheila (1973, with his friend Anthony Perkins). He appeared as himself in the film Camp (2003).


In March 2008, Sondheim & Frank Rich of the NY Times appeared in an interview/conversation in Portland, titled A Little Night Conversation with Stephen Sondheim. WCK3 & I were fortunate enough to attend. One of my revered revelations from that evening was that Sondheim & I share a favorite non-Sondheim musical in She Loves Me. He was very funny & charming that evening. I am crazy for Frank Rich & I have loved Sondheim’s music & lyrics for 50+ years. I was thrilled.


I feel so damn old. During the Company/Follies era, Sondheim appeared on the cover of Time with the caption- The Boy Wonder of the Theatre. The boy went on to an Academy Award, 8 Tony Awards (more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre, multiple Grammy Awards including Song Of The Year for Send In The Clowns in 1974, & a Pulitzer Prize.



Sonheim turns 82 today. We both got old & we both got lucky. Oddly enough, he shares this birthday with the British composer of that weird musical with the singing & dancing CATS. Go figure.

"I chose & my world was shaken. So what? The choice may have been mistaken; the choosing was not. You have to move on."
Sunday In The Park With George