Showing posts with label John Schlesinger. Show all posts
Showing posts with label John Schlesinger. Show all posts

Tuesday, May 29, 2012

Born On This Day- May 29th... Rupert James Hector Everett



We were already big fans of his good looks & his talent. In the early 1980s,The Husband waited on Rupert Everett & his entourage, in town for the Seattle International Film Festival showing of Another Country, at the then quite famous gay dining spot- The Ritz Café on Capitol Hill in Seattle. The Husband came home with the sordid tale of Everett’s bad behavior, culminating in his passing out, face first into a plate of food. I somehow loved the actor even more.

At 15 years old, Rupert Everett ran away from boarding school & went to London to become an actor. He starred opposite Kenneth Brannagh in the play Another Country when he was 23. He did the film version, based on the life of the  gay spy Guy Burgess, with Colin Firth when he was 25. He came out when he was 29 & the offers dried up. He gave interesting & deft performances in Pret-a-Porter & The Madness of King George, but when he starred opposite Julia Roberts in My Best Friend’s Wedding, the industry was abuzz with the idea of the “gay best friend” as an asset for a story line. It was unique to have a gay character who is happily partnered, not a victim, not dying, or not a sissy. He carried the film with the charm of Cary Grant.

That charm followed with roles as gay Christopher Marlowe in Shakespeare in LoveAn Ideal HusbandInspector GadgetA Midsummer Night’s DreamThe Next Best Thing, The Importance of Being Earnest, & the overlooked- Stage Beauty. He is the voice of Prince Charming in the money making Shrek franchise, disproving his own theory that out actors can’t get work.
Everett has written 2 novels & a memoir, in which he included the fact that for a time he was a rent boy. I very much enjoyed reading Rupert's memoir- Red Carpets & Other Banana Skins. He names names, something I admire in a memoir. He is honest, hugely funny & deeply wise about human nature, particularly his own. His beautiful face, his lovely manners, all his attractive qualities seemed to be worth the cash to me.

Rupert Everett has been urging gay stars not to come out & to keep their sexuality a secret as it could end their film career. He came out as gay 25 years ago & admitted that since then, he has been given only supporting roles.

Everett is now suggesting that aspiring actors stay in the closet as it could harm their career: “It's not that advisable to be honest. It's not very easy, &, honestly, I would not advise any actor necessarily, if he was really thinking of his career, to come out... The fact is that you could not be, & still cannot be, a 25 year old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work & you're going to hit a brick wall at some point. You're going to manage to make it roll for a certain amount of time, but at the first sign of failure, they'll cut you right off. I'm sick of saying: ‘Yes, it's probably my own fault.’ Because I've always tried to make it work & when it stops working somewhere, I try to make it work somewhere else. But the fact of the matter is, & I don't care who disagrees, it doesn't work if you're gay.”



Everett added that he does believe he is happier than those other major stars who are keeping their sexuality a secret: “I think, all in all, I'm probably much happier than they are. I may not be as rich or successful, but at least I'm vaguely free to be myself.”


John Schlesinger was a great director, responsible for Midnight Cowboy & Sunday, Bloody Sunday, ground breaking gay themed films. But, I think The Next Best Thing is one of the worst movies I have ever had to sit through. Drek, not Shrek. I managed to get through it for Mr. Everett. Everett can currently be seen in the just released- Hysteriaalong with Felicity Jones, Maggie Gyllenhaal, & the delectable Hugh Dancy. The film, set in the Victorian era, is about the invention of the vibrator. I think I was aqcuainted with a vibrator named Rupert back in the early 1990s. The film's title refers to the once common medical diagnosis of female hysteria. I can’t wait.

Everett turns 53 years old today & is really looking his age. I would still do him... but then like Everett, I can be very shallow.

Thursday, February 16, 2012

Born On This Day- February 16th... John Schlesinger




It would be impossible to underestimate the influence 2 of John Schlesinger's films had on my life as a gay man. Midnight Cowboy (I was 15 when I saw this X rated film) & Sunday Bloody Sunday (I was 17) both contained mind blowing moments for me. Truly great films, they both have fascinating gay characters as well as homoerotic moments that lodged in my young gay mind & stayed through my middle age. Jon Voight is luscious in Midnight Cowboy, & Murray Head is the poster boy for the sexy 1970's male in Sunday Bloody Sunday. Glenda Jackson checking out Murray's perfect physique as he showered made me consider how I felt when I stood next to beautiful boys in the showers after gym class. I kept sneaking a peek & wondering if any of them might ever be mine.


Sunday Bloody Sunday is an astonishing film for it's time, the 1st film I ever saw where a gay man was rather "normal" & sympathetic & where male attraction we inevitable & fated. The film asks: Is it better to share a lover than to have none at all? This is essence of John Schlesinger's film, a story of 2 people, a gay middle-aged Jewish doctor played Peter Finch & a 30-ish working woman- Glenda Jackson, who are romantically intertwined with a boyish artist played by Murray Head who treats them both with a bit of ennui.


My favorites Schlesinger films:
• 1965 Darling
• 1969 Midnight Cowboy
• 1971 Sunday Bloody Sunday
• 1976 Marathon Man
• 1996 Cold Comfort Farm


John Schlesinger was well reviewed & celebrated in his life time, but history has not been as kind. He won Oscars for Best Picture & Director in 1969, received nominations in 1965 & 1971, was still doing important work through the 1970’s, but made so many missteps in the 1980’s & 1990’s that when he made his last great feature film, it was all but ignored. He followed that up with the 2 worst films he ever made, the dreadful thriller Eye for An Eye & the miserable Madonna & Rupert Everett vehicle The Next Best Thing (it must have seemed a good idea on paper) & then he died in 2003, remembered only with headlines- “Oscar winning director dies.”



But Schlesinger was a very important part of British cinema in the 1960’s, making the brilliant swinging 1960s- Darling & Billy LiarA Kind of Loving & the beautiful Far from the Madding Crowd. All were brilliant, with gorgeous production values & 1st rate acting. He then moved to Hollywood & made such thoughtful films as Day of the Locust & Falcon & The Snowman. It is true that his films after that rarely rose above mediocrity, but his last great film is truly a great treasure & one of the Husband & my all time top 10 favorites.




Technically, Cold Comfort Farm came out in 1995, & would have been Oscar eligible had it not played on television in Britain. The film received good reviews but not much notice. Maybe it was a matter of timing, the film was riding the wave of Jane Austen films,though it is not Austen & set in the early 1930’s rather than the 19th century, but it was a British costume comedy of manners. How much more would it get noticed today now that Ian McKellen is known the world over for X-Men & not just as the guy from the interesting Richard III & that Kate Beckinsale is thought of as one of the world’s most beautiful women & not just the actress who was OK in Much Ado About Nothing.


Cold Comfort Farm is a divine peach of a film. Kate Beckinsale (wearing no black leather jumpsuits) portrays a city girl who goes to live with her cousins in the country & perhaps discover herself as a writer. The collection of very odd cousins include the crazed matriarch, the earthy Seth (Rufus Sewell) & an enigmatic preacher father, played by Ian McKellen in a fantastic & eccentric performance. Bryan Singer told McKellen, 2 years later while making Apt Pupil, that McKellen should watch this guy’s performance in Cold Comfort Farm to get some ideas, he didn’t realize he was talking to the very same actor. Add in nutty, only slightly restrained performances by the great Eileen Atkins, Julia Margolyes, Joanna Lumley, & Stephen Fry for a great mix of humor & style.


The film has a happy ending, as a Hollywood producer enters the story, but the true happiness is that Schlesinger made one more great picture, even if it was mostly ignored on impact.


Schlesinger survived a quadruple heart bypass in 1998, before suffering a stroke in December 2000. He was taken off life support in a hospital in Palm Springs on July 24, 2003 by his life partner of over 30 years, photographer Michael Childers. Schlesinger died early the following day at the age of 77.

Wednesday, February 16, 2011

I Saw Something Nasty In The Woodshed


It would be impossible to underestimate the influence 2 of John Schlesinger's films had on my life as a gay man. Midnight Cowboy (I was 15 when I saw this X rated film) & Sunday Bloody Sunday (I was 17) both contained mind blowing moments for me. Truly great films, they both have fascinating gay characters as well as homoerotic moments that lodged in my young gay mind & stayed through my middle age. Jon Voight is luscious in Midnight Cowboy, & Murray Head could be the poster boy for sexy 1970's male in Sunday Bloody Sunday. Glenda Jackson watching Murray's perfect physique as he showered made me consider how I felt when I stood next to beautiful boys in the showers. I kept sneaking a peek & wondering if any of them would ever be mine.

Sunday Bloody Sunday is an astonishing film for it's time, the 1st film I ever saw where a gay man was rather "normal" & sympathetic & where male attraction we inevitable & fated. The film asks: Is it better to share a lover than to have none at all? This is essence of John Schlesinger's film, a story of 2 people, a gay middle-aged Jewish doctor played Peter Finch & a 30-ish working woman- Glenda Jackson, who are romantically intertwined with a boyish artist-Murray Head who treats them both with a dismissive interest.

My favorites Schlesinger films:

• 1965 Darling
• 1969 Midnight Cowboy
• 1971 Sunday Bloody Sunday
• 1976 Marathon Man
• 1996 Cold Comfort Farm

John Schlesinger was well reviewed & celebrated in his life time, but history has not been as kind. He won Oscars for Best Picture & Director in 1969, received nominations in 1965 & 1971, was still doing important work through the 1970’s, but made so many missteps in the 1980’s & 1990’s that when he made his last great feature film, it was all but ignored. He followed that up with the 2 worst films he ever made, the dreadful thriller Eye for An Eye & the miserable Madonna & Rupert Everett vehicle The Next Best Thing (it must have seemed a good idea on paper) & then he died in 2003, remembered only with headlines- “Oscar winning director dies.”



But Schlesinger was a very important part of British cinema in the 1960’s, making the brilliant swinging 1960s- Darling & Billy Liar, A Kind of Loving & the beautiful Far from the Madding Crowd. All were brilliant, with gorgeous production values & 1st rate acting. He then moved to Hollywood & made such thoughtful films as Day of the Locust & Falcon & The Snowman. It is true that his films after that rarely rose above mediocrity, but his last great film is truly a great treasure & one of the Husband & my all time top 10 favorites.


Technically, Cold Comfort Farm came out in 1995, & would have been Oscar eligible had it not played on television in Britain. The film received good reviews but not much notice. Maybe it was a matter of timing, the film was riding the wave of Jane Austen films,though it is not Austen & set in the early 1930’s rather than the 19th century, but it was a British costume comedy of manners. How much more would it get noticed today now that Ian McKellen is known the world over & not just as the guy from the interesting Richard III & that Kate Beckinsale is thought of as one of the world’s most beautiful women & not just the actress who was okay in Much Ado About Nothing.


Cold Comfort Farm is a divine peach of a film. Kate Beckinsale (wearing no black leather jumpsuits) portrays a city girl who goes to live with her cousins in the country & perhaps discover herself as a writer. The collection of very odd cousins include the crazed matriarch (Sheila Burell), the earthy Seth (Rufus Sewell) & enigmatic preacher father, played by Ian McKellen in a fantastic & eccentric performance. Bryan Singer told McKellen, 2 years later while making Apt Pupil, that McKellen should watch this guy’s performance in Cold Comfort Farm to get some ideas, he didn’t realize he was talking to the very same person. Add in nutty, only slightly restrained performances by the great Eileen Atkins, Julia Margolyes, Joanna Lumley, & Stephen Fry for a great mix of humor & style.


The film has a happy ending, as a Hollywood producer enters the story, but the true happiness is that Schlesinger made one more great picture, even if it was mostly ignored on impact.

Schlesinger underwent a quadruple heart bypass in 1998, before suffering a stroke in December 2000. He was taken off life support at Desert Regional Medical Center in Palm Springs on July 24, 2003 by his life partner of over 30 years, photographer Michael Childers. Schlesinger died early the following day at the age of 77.

Tuesday, February 16, 2010

"I Saw Something Nasty In The Woodshed"... John Schlesinger On the Day Of His Birth

It would be impossible to underestimate the influence 2 of John Schlesinger's films had on my life as a gay man. Midnight Cowboy (I was 15 when I saw this X rated film) & Sunday Bloody Sunday ( I was 17) both contained mind blowing moments for me. Truly great films, they both have fascinating gay characters as well as homoerotic moments that lodged in my young gay mind & stayed through my middle age. Jon Voight is a luscious Ken Doll in Midnight Cowboy, & Murray Head could be the poster boy for sexy 70's male in Sunday Bloody Sunday. Glenda Jackson watching Murray's perfect physique as he showered made me consider how I felt when I stood next to beautiful boys in showers. I kept sneaking a peek & wondering if any of them would ever be mine.


Sunday Bloody Sunday is an astonishing film for it's time, the 1st film I ever saw where a gay man was rather "normal" & sympathetic & where male attraction we enevitable & fated.  Is it better to share a lover than to have none at all? This is essence of John Schlesinger's film, a story of two people, a gay middle-aged Jewish doctor (Peter Finch) and a 30-ish working woman (Glenda Jackson), who are romantically intertwined with a boyish artist (Murray Head) who treats them both with a dismissive interest.




• 1965 Darling


• 1969 Midnight Cowboy


• 1971 Sunday Bloody Sunday


• 1976 Marathon Man


• 1996 Cold Comfort Farm


John Schlesinger was treated well in hislife time, but history has not been as kind. He won Oscars for Best Picture & Director in 1969, got nominations in 65 and 71, was still doing important work through the 1970’s, but made so many mis-steps in the 80’s and 90’s that when he made his last great feature film, it was all but ignored. He followed that up with the 2 worst films he ever made, the dreadful thriller Eye for An Eye & the miserable Madonna & Rupert Everett vehicle The Next Best Thing (it must have seemed a good idea on paper) & then he died in 2003, remembered only because headlines said “Oscar winning director dies.”


But Schlesinger was a very important part of British cinema in the 1960’s, making the brilliant swinging 60s- Darling & Billy Liar, A Kind of Loving &  the beautiful Far from the Madding Crowd were brilliant, with gorgeous production values & 1st rate acting. He then moved to Hollywood & made such thoughtful films as Day of the Locust & Falcon& the Snowman. It is true that his films after that rarely rose above mediocrity, but his last great film is truly a great treasure & one of the Husband & my all tome top 10 favorites.








Technically, Cold Comfort Farm came out in 1995, but it was released in theaters & would have been Oscar eligible had it not played on television in Britain. Itreceived good reviews but not much notice. Maybe it was a matter of timing, the film was riding the wave of Jane Austen films (though it is not Austen & set in the early 30’s rather than the 19th century, but it was a British costume comedy of manners), but how much more would it get noticed today now that Ian McKellen is known the world over & not just as the guy from the interesting Richard III and that Kate Beckinsale is thought of as one of the world’s most beautiful women & not just the actress who was okay in Much Ado About Nothing.


Cold Comfort Farm is a wonderful film. Kate Beckinsale (wearing no black leather jumpsuits) portrays a city girl who goes to live with her cousins in the country & perhaps discover herself as a writer. The collection of very odd cousins include the crazed matriarch (Sheila Burell), the earthy Seth (Rufus Sewell) & enigmatic preacher father, played by Ian McKellen in a fantastic & eccentric performance. Bryan Singer told McKellen, 2 years later while making Apt Pupil, that McKellen should watch this guy’s performance in Cold Comfort to get some ideas, he didn’t realize he was talking to the same person. Add in nutty, only slightly restrained performances by the great Eileen Atkins, Julia Margolyes, Joanna Lumley, & Stephen Fry for a great mix of humor & style.


The film has a happy ending, as  a Hollywood producer enters the story (in an amusing aside that perhaps would presage the Bob Balaban character in Gosford Park), but the true happiness is that Schlesinger made one more great picture, even if it was mostly ignored on impact.


Schlesinger underwent a quadruple heart bypass in 1998, before suffering a stroke in December 2000. He was taken off life support at Desert Regional Medical Center in Palm Springs on July 24, 2003 by his life partner of over 30 years, photographer Michael Childers. Schlesinger died early the following day at the age of 77.