Showing posts with label Hair. Show all posts
Showing posts with label Hair. Show all posts

Sunday, April 29, 2012

Easy To Be Hard



How can people be so heartless
How can people be so cruel
Easy to be hard
Easy to be cold

How can people have no feelings
How can they ignore their friends
Easy to be proud
Easy to say no

& especially people
Who care about strangers
Who care about evil
& social injustice
Do you only
Care about the bleeding crowd?
How about a needing friend?
I need a friend

How can people be so heartless
You know I'm hung up on you
Easy to give in
Easy to help out

& especially people
Who care about strangers
Who say they care about social injustice
Do you only
Care about the bleeding crowd
How about a needing friend?
I need a friend

How can people have no feelings
How can they ignore their friends
Easy to be hard
Easy to be cold
Easy to be proud
Easy to say no
McDormett/Ragni/Rado
1968

Born On This Day- April 29th, In 1968, The Broadway Production Of HAIR


With unpopular wars still raging and the forces of conformism still oppressing the free spirits in American society, HAIR remains a vital expression of irrepressible & joyous Be-In for all times. It is one of my favorite musicals & the film version is in my Top 10 Films.


I saw the original Broadway production, then in its 4th year, I saw the West End production in 1969 & oddly enough, the Vienna production- Haare. The Original Broadway Cast album sold more than 3 million copies in the first year, at the time a phenomenon.

As far as I am concerned, HAIR was the first Rock Musical. Although it had received generally good critical notices off-Broadway, at the Biltmore Theater it got almost unanimous raves, with Clive Barnes of the NY Times championing it all the way. Barnes: “HAIR is the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday.”

6 months after the Broadway opening, a new company was formed in L.A.. L.A. HAIR settled down in the Aquarius Theater there for a 2 year run, the longest run of any show in L.A. Mae West came to the show & exclaimed: "My, you boys certainly have a lot of energy!"

On Broadway, the show ran 4 years at the Biltmore Theatre, & in London 5 years at the Shaftesbury Theatre in the West End. Eventually there were an unheard of, 9 companies in the USA. The talent was recruited from each city. The show played simultaneously in NYC, L.A., San Francisco, Chicago, Detroit, Cleveland, Seattle, Boston, & Baltimore, in addition there were national touring companies.


The Broadway production was directed by Tom O'Horgan, & choreographed by Julie Arenal, with set design by Robin Wagner, costume design by Nancy Potts, & lighting design by Jules Fisher. The original Broadway "tribe"  included authors Rado & Ragni, who played the lead roles of Claude & Berger, respectively, with Lynn Kellogg as Sheila, Lamont Washington as Hud, Sally Eaton & Shelley Plimpton reprising their off-Broadway roles as Jeanie & Crissy, Melba Moore as Dion, Paul Jabara & Diane Keaton (both Moore & Keaton later played Sheila). Among the performers who appeared in Hair during its original Broadway: Ben Vereen, Keith Carradine, Barry McGuire, Ted Lange, Meat Loaf, Kenny Seymour (of Little Anthony & The Imperials), Joe Butler (of the Lovin' Spoonful), Heather MacRae (daughter of Gordon MacRae), Vicki Sue Robinson.

HAIR was nominated for Best Musical & Best Director at the Tony Awards, but lost out to 1776 in both categories.The production ran for 1,750 performances, closing on July 1, 1972, officially the end of the 1960s.

There was a decision to do the show in the local language of each country at a time when for productions of Broadway shows were always done in English. The translations followed the original script closely, & the Broadway staging & choreography were used. Each script contained various local references, such as street names & the names or depictions of local politicians & celebrities. The original international productions included tribes in: France, Germany (with Donna Summer as Dione), Mexico, Italy, Copenhagen, Stockholm, Switzerland, Vienna, Tokyo, Montreal, Sydney ( 6 African-Americans were brought to Australia to provide a racially integrated tribe),Sônia Braga appeared in the 1969 Brazilian production. Yugoslavia was the first HAIR to be produced in a communist country.

By 1970, HAIR was a huge financial success, the various productions of the show were raking in almost $1 million every 10 days, & royalties were being collected for 300 different recordings of the show's songs, making it the most successful score in history as well as the most performed score ever written for the Broadway stage. So much for the counter-culture.

HAIR is a musical celebration of life, a love letter to freedom, & a passionate plea for hope & change. It is the story of a group of friends who struggle to balance their young lives, loves, & the sexual revolution with their rebellion against war, their conservative parents, & society. In the waning days of their adolescence, and on the brink of adulthood, they are angry, hostile, confused, frightened of how the future is going to change them & of not knowing what comes next. They choose to speak up & sing out in celebration of peace, love, freedom, happiness & life.

The first great rock musical, HAIR has  a score I have not tired of in 44 years of listening, with some of the most soulful songs ever written for the stage including: Let the Sunshine In, Easy To Be Hard, Good Morning Starshine, Aquarius,& the hirsute title song. I never was in a production of HAIR, damn it, & now I don’t have any. In fact, with no hair on my head & biting at the ass of 60 years old, I am listening to the Original Broadway Cast of HAIR this very afternoon, while enjoying a joint & hoping for peace & understanding.

Wednesday, April 18, 2012

Born On This Day- April 18... Broadway's Gavin Creel


Nearly everyone I know in Portland is a hyphenate (lawyer/framer/author), making today’s birthday boy a most certain honorary citizen.



Gavin Creel is an activist/actor/singer/songwriter who is also one of founders of Broadway Impact, an organization fighting for equality for the LBGT community. He came out publicly in a 2009 interview in the Advocate.  Besides the original Broadway cast albums that he appears on has 3 solo vocal albums including- Get Out, released last month.

Creel was in the cast of Hair on both Broadway (2009) & The West End (2010). Creel earned Tony Award nominations for Hair & Thoroughly Modern Millie (2002). He has also appeared on Broadway in La Cage Aux Folles (2004) & the West End production of Mary Poppins. He’s come a long way since his first stage appearance in which he was a high school sophomore cast as Sir Sagamore in Camelot; speaking 2 words: “& mine.”

Creed: “Talking about sexuality, sexual orientation & understanding how sexual identity factors into all of our thinking is a conversation that I believe everyone should fearlessly enter into. It drives me crazy how "gay issues" so often appear to be just for the gays & are therefore relegated to the outside edges of a newspaper or newscast or even election (except when it is conveniently spun into the hot topic to help mobilize people against us for the sake of "morality" (ahem... youarewelcomeforthoseextrafouryearsmisterbush). I love who I am, but I don't see me & my gay friends as a bunch of homos who should be set apart from the rest. I don't agree with those in our community who think that as gay people we are special & should therefore keep ourselves isolated from certain straight-associated thinking or conventions. If I really am special, I don't need to separate myself to stand out (yet another thing I would say to the pimple-faced, show-choir-obsessed, teenage version of me). I hope the words are call to everyone: sexy straights, bi beauties, terrific trannies &, of course, us gorgeous gays.”

“These voices... our voices, & not the whispered gossip of "who is and who isn't" or "oh my god! I always knew they were" or "he/she/that is so gay," must set the real conversation. & then, hopefully someday soon, "I am gay" will not be something someone has to admit but something we will all celebrate.”



Although I appreciate him shirtless in Hair, Gavin Creel is getting ready to wear a white shirt & black tie as Elder Price in the upcoming national tour of The Book of Mormon.

Creel “Fans should follow me across the country and stalk me because I will put out. I will make out with every single one of them!”

The Tony award winning show plays Portland in January 2013 & I am going to collect on that kiss.


Gavin Creel turns 36 years old today.


Sunday, July 24, 2011

Summer Songs #22... The Age Of Aquarius



When the moon is in the Seventh House
& Jupiter aligns with Mars
Then peace will guide the planets
& love will steer the stars

This is the dawning of the Age of Aquarius
The Age of Aquarius
Aquarius!
Aquarius!


Harmony & understanding
Sympathy & trust abounding
No more falsehoods or derisions
Golden living dreams of visions
Mystic crystal revelation
& the mind's true liberation
Aquarius!
Aquarius!


When the moon is in the Seventh House
& Jupiter aligns with Mars
Then peace will guide the planets
& love will steer the stars

This is the dawning of the Age of Aquarius
The Age of Aquarius
Aquarius!
Aquarius!

Rando & Ragni
1967

 


Wednesday, April 1, 2009

HAIR


HAIR-the American Tribal Love-Rock Musical opened on Broadway, produced by The Public Theatre 30+ years after the original. The new production received ecstatic reviews when it played in Central Park last summer (how cool was that...the show takes place in Central Park!).
The show got rave reviews this morning.

It remains one of my favorite scores & I love the movie directed by Milos Foreman.

This is Gavin Creel , the openly gay actor who plays Claude.