Showing posts with label Gore Vidal. Show all posts
Showing posts with label Gore Vidal. Show all posts

Wednesday, August 1, 2012

Good-Bye, Eugene Luther Gore Vidal


He was quite simply, one of my favorite writers, elegant & fearless. I have been reading him for more than 5 decades & my book shelves are heavy in the Vs.

He watched & reported on the decline of this once great country of ours. Gore Vidal reminded readers of our failure of education, manners on the decline, & political leaders cynical, cretinous, & closed to the reality.  He found the values & culture of his fellow Americans to be shameful, & the state of literature & pop culture, almost, but not quite, beyond words.

He had a distaste for TV, & it was a compliment to his skillful storytelling & considerable wit that he could appear with such frequency on the most popular medium to deride popular entertainment, & be welcomed back the following week to do it again.

There were few subjects for which he could not invent a quip, often memorably dismissive. Vidal could be relied on to be entertaining about almost anything: history, politics, art, journalism, theatre, sex, morals or celebrity.  Vidal: “I am at heart a propagandist, a tremendous hater, a tiresome nag, complacently positive that there is no human problem which cannot be solved if people would simply do as I advise.”

His literary output was prodigious: collections of smart, witty, biting essays, plays, screenplays, & more than 20 novels, including 7 books about our country from the American Revolution to the Korean War known as the Narrative of Empire series.

Vidal: “Our leaders can no longer write their own speeches or books, & there is some evidence they cannot read them either. Our political system has become a game for the very rich.”

His statements found detractors. Norman Mailer went so far as to headbutt Vidal while they were in the green room, waiting to appear together on a chat show. William F. Buckley called his a fag, on air & threatened to punch him on the spot.  But, Vidal appeared to relish feuds. When Truman Capote made a comment about Vidal being thrown out of the Kennedy White House, Vidal sued for libel.

Vidal derided the term “gay” & claimed that he had had sex with 1,000s of people of both genders by the time he was 25. But the great love of his life was Jimmie Trimble, an athletics star who was to die at Iwo Jima, preserving forever the image of a kind of romantic ideal in Vidal’s mind.

Vidal joined the Army after graduating from Phillips Exeter Academy in New Hampshire. He served in a transport ship, ending the war as a warrant officer. It was while on board ship that he wrote his first novel- Williwaw (1946). The word means an Arctic squall, & the novel’s setup is the effect of the storm on a crew of hot young men in cramped conditions.

In 1948, Vidal’s The City & the Pillar was published. It is a groundbreaking novel of youthful homosexuality told against the background of the story of Sodom. At the time the Kinsey Report had just been released & homosexuality was more widely discussed, & acknowledged to exist, than ever before. Vidal: “I wanted to take risks, to try something no American had done before. I decided to examine the homosexual underworld, which I knew rather less well than I pretended, & in the process show the 'naturalness’ of homosexual relations.”  Written 2 years after Iwo Jima, the book was dedicated “to JT”.

Not shocking by current standards, at the time Vidal’s book was hugely controversial, & it was described it as embarrassing, courageous, serious, social tract. Some papers which slammed the novel would not accept advertisements for it. Vidal claimed that the book affected the reviews of future reviews he received from major publications, especially The NY Times, for his later books. “He may have been right,” The NY Times stated this morning.

In the 1950s he wrote screenplays in Hollywood: The Catered Affair, I Accuse, The Scapegoat, Suddenly Last Summer & Is Paris Burning?

Vidal wrote successfully for the theatre: Visit To A Small Planet, The Best Man (which had a well-received revival this Broadway season), Romulus, & An Evening With Richard Nixon. For TV he wrote: Dark Possession, The Death Of Billy The Kid, Dr Jekyll & Mr Hyde, The Turn Of The Screw, State Door, & A Farewell to Arms. He found the work interesting, but only as a way to make money to buy time to write books.

I appreciate his essays the mist, but I have been lost in his elegant historical fiction where Vidal introduced real figures from the past, & combine them with gossipy asides from his fictional characters. His plots featured cameo appearances by Washington Irving, Mark Twain, Walt Whitman, Henry James & many others. In Empire (1987), Vidal set President Teddy Roosevelt & newspaper man William Randolph Hearst in a confrontation which becomes a reflection on the press’s power to make or break a politician.

In 1968 Vidal had a stunning success with Myra Breckenridge, a very funny spoof on the shattering of sexual barriers & a send-up of the porn industry so explicit that the book itself was labeled pornography. In his best known novel, Vidal managed to strike at young people, entertainment, writing, California, the decline of civilization & to rage about his particular concern- population control. He used sex-changed title character to repeat his vigorously held contention that only zero population growth can save the planet from starvation.

Vidal: “If the human race is to survive, population will have to be reduced drastically, if not by atomic war then by law, an unhappy prospect for civil liberties but better than starving... it may already be too late to save this ark of fools.”

Essays are my own favored written expression &Vidal’s collections are my favorites of his work: Sex, Death & Money (1968),  Reflections Upon A Sinking Ship (1969), Homage to Daniel Shays (1972), Matters of Fact & Fiction, & Armageddon (1987).

The Second American Revolution & Other Essays won the 1982 National Book Critics’ Circle Award for criticism. This collection  took on born-again Christians, politicians, universities, big business, the Churches & all those in authority, with awesome range & radical, renegade instinct to rail against established authority- clerical, academic, corporate & patriotic. Vidal observed that politics had become trivialized, with substance & debate replaced by talking heads allowed only seconds to make arguments about the future of the nation & the world.

In 1993 Vidal won the National Book Award for Non-Fiction for the collection United States: Essays 1952–1992. He followed this with a second collection of essays- The Last Empire, published in 2000.

Among my favorite books of all time are his pair of memoirs-  Palimpsest& Point to Point Navigation, in which he mentions his many sexual conquests as “ nothing special”,  compared to the pursuits of his pals John F. Kennedy & Tennessee Williams. Vidal was fond of drinking & alleged that he had sampled every major drug, once.

One of my favorite Vidal anecdotes:  During the casting of his 1959 play about a political convention- The Best Man, a talent agent proposed offering Ronald Reagan the lead. Vidal: “We all had a good laugh. He is by no means a bad actor, but he would hardly be convincing, I said with that eerie prescience which has earned me the title 'The American Nostradamus’, as a presidential candidate.”

He twice ran unsuccessfully for office. In 1960 he was a Democratic candidate for Congress in New York’s 29th district, and he ran for nomination as the Democratic senatorial candidate in 1982. Vidal would appear as himself in several cameo roles, including The Simpsons. In 2009 he was awarded the annual Medal for Distinguished Contribution to American Letters by the National Book Foundation.

He was host for a time on the TV program Hot Line, & received the Edgar Allan Poe Award of the Mystery Writers of America in 1955. His novel of the ancient world- Creation, won the Prix Deauville in 1983.

Vidal lived in Beverly Hills, NYC, Rome & Ravello on Italy’s Adriatic coast, for more than half a century, with Howard Austen, a former advertising executive who died in 2003. Vidal & Austen chose cemetery plots in Washington DC, between Jimmie Trimble & one of Vidal's literary heroes, Henry Adams. At the end of his life, saddened by the death of Austen & many close friends, Vidal still looked to no existence beyond this one. "Because there is no cosmic point to the life that each of us perceives on this distant bit of dust at galaxy's edge, all the more reason for us to maintain in proper balance what we have here. Because there is nothing else. No thing. This is it, & quite enough, all in all."

I once played Gore Vidal, or rather I based a character, rather successfully, on the writer. The play was Tom Stoppard’s The Real Inspector Hound & my character was an acerbic, bitter theatre critic. Vidal did my homework for me. Vidal has been a major player in my rather insignificant life & I like to think that I am a bit similar to him, minus his intelligence, talent & nerve.

Saturday, May 12, 2012

Kate Was Great... Considering Katharine Hepburn On Her Birthday- May 12th



Post Apocalyptic Bohemian favorite writer- Gore Vidal vouches for his buddy- Scotty Bowers, who claims that he set Katharine Hepburn up “with over 150 different women” in his dishy, juicy book- Full Service: My Adventures in Hollywood & the Secret Sex Lives of Stars, which I read in 2 sittings back in February.

Vidal flew in to L.A. to be part the book’s release event. He wanted to assure attendees that Bowers is totally telling the truth. In a speech, he told partygoers he’s never caught Bowers in a lie in the 60+ years he’s known him, noting that in L.A. “you can meet 1,000 liars a day". I think there is a difference between never catching someone in a lie as opposed someone has never told a lie, but I will take Vidal & Bowers at their word: Katharine Hepburn was a very sexually active lesbian. That closet door is now open.

If you don’t want to go with Bower’s version, try noted film historian- William J. Mann's Kate: The Woman Who Was Hepburn, published in 2004.  Mann tells that the epic romance of Katharine Hepburn & Spencer Tracy was a fable cultivated by Hepburn to hide their bisexuality. The pair of stars were sexually complicated screen legends that had an enduring companionship but were only briefly passionate & never lived together intimately.

Hepburn fostered the belief that she & Tracy could never marry because he was a devout Catholic committed to Louise Treadwell, his wife of 43 years & mother of their deaf child. Mann used documents & interviews with people who wouldn't talk while Hepburn was alive. & 8 years before Bower’s book, Mann insists that it was at gay director George Cukor's estate that he met a Hollywood hustler identified as "Scotty," a mechanic who staffed his gas station with "handsome young bucks, just home from the war" who for $20 were "happy to wash their hands (or not) & take a trip with a client to the back room."

Mann writes that Scotty related: "Tracy would always be drinking when I arrived. He'd get so loaded. He'd sit there at the table drinking from five o'clock in the afternoon until two in the morning, when he'd fall onto the bed & ask me to join him. ... & in the morning he'd act like nothing happened."
According to Mann, Hepburn's notorious relationship with American Express heiress Laura Harding wasn't "lesbian," but it sure was sexual. Mann: "Hepburn admitted as much to friends like James Prideaux, cutting him off with a shrill 'Of course!' when he asked about Harding ... as if the subject were simply too obvious & boring to belabor."

There is a famous story about the making of the film adaptation of Tennessee William's notorious Suddenly, Last Summer that starred Elizabeth Taylor,  the very gay Montgomery Clift & Katharine Hepburn. Hepburn, as Violet Venable was so obsessed with her dead son, Sebastian, that she wants to have her niece, played by Taylor lobotomized rather than have it revealed that he was homosexual. 

Apparently Hepburn was clueless that this was a film about homosexual lust & the director, Joseph Mankiewicz, & screenwriter- the very gay Gore Vidal, had to explain it to her. Meanwhile, she nailed the role as the disturbed, evilly controlling mother. 

This anecdote works against the image of independent, smart Hepburn, the Connecticut feminist Yankee who supposedly seduced Hollywood’s leading men- Spencer Tracy, Gary Grant, Humphrey Bogart & James Stewart.  In her real life, Hepburn followed in the footsteps of her mother who pioneered reproductive freedoms & the right of American women to vote.
  
In the 1930s, where of the strict studio system made & crushed careers, Hepburn challenged studio execs & made it work for her. She grew as a businesswoman, commanding salaries & negotiating roles at a time when it was just not done.  She was a symbol of a true American original who could accomplish anything.

Hepburn's career spanned decades & her range was legendary, even while her roles were always secondary to her own personality.

Was there ever a gayer film than the1937 camp classic- Stagedoor in which Hepburn perfected the screen ingenue, uttering the line: "The calla lillies are in bloom again."  Cast opposite Gay Icons Eve Arden, Lucille Ball, Ann Miller, & Ginger Rogers, she played it broadly & autobiographically, as the daughter of a wealthy businessman who wants a career in the theater with no prior training. It remains a favorite Hepburn performance at Post Apocalyptic Bohemia,

Hepburn excelled in screwball comedies like Bringing Up Baby with bi-sexual Carey Grant who uttered the famous line: "I’ve turned gay all of the sudden!" For gay audiences, Hepburn inadvertently developed an androgynous image in such roles as the cross-dressing Sylvia Scarlet.



After being victimized by studio mouthpieces & being branded "box office poison" by the press, Hepburn refused to be ignored.  She starred on Broadway in Philip Barry‘s The Philadelphia Story, purchasing the rights to star in the film. More than any other actress of the period, Hepburn controlled her own career. 

In the 1940s & 1950s, Hepburn launched a classical stage & film career, transitioning beautifully, at a time in her career when most stars would retreat to predictable vehicles that would showcase them.  Among other things, she tackled Shakespeare onstage while in her 50s, at the same time becoming the first lady of American cinema, eventually nominated for 12 Best Actress Oscars & winning 4 times, a record.

She bravely stood with her colleagues Humphrey Bogart & Lauren Bacall during the trials of the Hollywood 10, screenwriters, actors & directors called before the Senator Joseph McCarthy's House on Un-American Activities Committee in protest of their unconstitutional Senate investigations, without risk of guilt by association. Hepburn made The African Queen (which is not about Ru-Paul) with Bogart.
 
Hepburn is a Gay Icon. She was a tough-minded authority as a liberal thinker. Gay men & lesbians love her equally, if for different reasons, & even if she didn't acknowledge he won gayness, it is impossible to ignore Hepburn’s impact on Gay culture, Gay minds & Gay hearts. Hepburn was Fierce.




I only saw her live once, in L.A. circa 1971, in a mess of a musical- Coco, playing Coco Chanel, with a book & lyrics by Alan J. Lerner & music by Andre Previn, with sets by the very gay Cecil Beaton, choreographed by  the very gay- Michael Bennett, with a  cast that included: René Auberjonois, George Rose, David Holliday, Bob Avian, Jon Cypher, Suzanne Rogers, Graciela Daniele,& Ann Reinking. To prepare for Coco, Hepburn received singing coaching with MGM’s very gay muscial producer Roger Edens. She was simply brilliant & breathtaking in the role. I loved her & ran out to by the cast album. I do a terrific imitation of Hepburn singing the title song. Ask me sometime.

My favorite Hepburn role was in 1975’s Love Among The Ruins with Lawrence Olivier, although I have studied every moment of The Philadelphia Story. The Husband’s choice is The Lion In Winter. What is your favorite Katherine Hepburn performance?

Tuesday, April 10, 2012

Maxims For Living



"Style is knowing who you are & what you want to say, & not giving a damn."
Gore Vidal

Monday, October 3, 2011

Born On This Day- October 3rd... Post Post Apocalyptic Bohemian Favorite Writer- Eugene Luther Gore Vidal

"A Narcissist is Someone
 Better Looking Than You Are"



Vidal at 21


I played him once. Well, not exactly, but I based a character that I played- a theatre critic in Tom Stoppard's brilliant- The Real Inspector Hound, on what would be the love child of Gore Vidal, taken from his apperances on talk shows, & yesterday's birthday gay- Rex Reed. Really. They are what I thought about when starting the character &  working on my speech pattern.

In my collection of favorite authors, there looms the Holy Trinity: Tennessee Williams, Truman Capote & Gore Vidal. If I was pressed to pick just one, I would pick the works of Gore Vidal, at least today. Brilliant, erudite, perceptive & sarcastic, Vidal could be my one writer library. He is the author of 23 novels, 5 plays, 3 memoirs, numerous screenplays & short stories, & well over 200 essays. With his pedigree (his grandfather was a US senator & his father was a member of Roosevelt’s Cabinet), some good luck & talent, Vidal was witness to almost a century of American political & social life.

Vidal has been a tried & true progressive promoter of gay visibility. He was brave at a time that could have had everything to lose. His third novel- 1948'w The City & the Pillar was the first mainstream novel to deal openly with homosexuality.Vidal lacked backing from his own editor, who forced him to make the already dark ending inferior by Making the gay main character into a murderer & killing his straight lifelong crush. The NY Times, reviewer was so outraged by the depravity that the paper refused to review Vidal’s next 5 books, just as Time and Newsweek had vowed never to review another book by him. He was boycotted by TimeNewsweek.

When ABC hired Vidal & William F Buckley to cover the political conventions in 1968  the rancor & resentment came to a head when Vidal called Buckley a “pro-crypto Nazi”.  Buckley ranted, "Now listen, you queer. Stop calling me a crypto Nazi, or I'll sock you in the goddamn face & you'll stay plastered." Buckley continued to attack Vidal in Esquire just months after Stonewall, claiming that Vidal: "was proclaiming the normalcy of his affliction” & comparing him to a drug pusher for promoting it.



His most famous series of novels: Burr, Lincoln, 1876, Empire, Hollywood, Washington DC & The Golden Age are a fictional history of the United States from the American Revolution to the recent past. Vidal ran for Congress in 1960 & the U.S. Senate in 1982, & he lost both elections. Vidal turned his political genius into literature, chronicling the decline & fall of the American empire in a series of perceptive essays- United States: Essays 1952-1992, which won the 1993 National Book Award. In 2008, Vidal's best essays were collected in The Selected Essays of Gore Vidal.

Vidal’s latest, Point to Point Navigation, is a memoir about Vidal coming to grips with the loss of his partner of over 50 years- Howard Auster, who died in 2003. As always, Vidal’s personal drama unfolds against the backdrop of a larger political & historical tableau, in this case the spectacle of George W. Bush’s America as it sinks deeper into war, debt, & autocratic rule. The book’s title refers to Vidal’s flight service during World War, a method of visual navigation in which one flies from one landmark to the next. A follow-up to his 1995 memoir- Palimpsest, the new book returns to Vidal’s early years but focuses mostly on the last half of his life.

In the new Snapshots in History’s Glare, Gore Vidal begins one paragraph with the words: ‘Despite never having been very social…’. He then proceeds to tell of asking Andy Warhol, Mick & Bianca Jagger to visit him & Howard Austen at their villa outside Ravello, Italy. Vidal: "Our old friends the Newmans (Paul & Joanne, that is) used to drop by. So did Lauren Hutton, Susan Sarandon, Rudolf Nureyev, Hillary Clinton, Sting, James Taylor, Leonard Bernstein, Johnny Carson, Bruce Springsteen & many others.” I have seen photos of a young Vidal setting off to war & later frolicking with Tennessee Williams; & of a middle-aged Vidal running for Congress & hobnobbing with JFK (Vidal shared a stepfather with Jackie Kennedy). Williams told Vidal that JFK had ‘a nice ass’; Vidal told Kennedy who answered: ‘Why, that’s very exciting.’ How exhausting it would all have been if Vidal had actually liked company? Gore Vidal is a treasury of quips, bon mots & his vast knowledge of literature & history, particularly American history, shows him to be a sharp observer. His razor sharp tongue cuts down the powerful. He does it with aplomb: “Style is knowing who you are, what you want to say, & not giving a damn."



Vidal turns a cranky 86 years old on this day. he may not be around in another decade. He continues to fascinate me with his wit & insight. He should be treasured.

Thursday, February 3, 2011

A Glamorous Life

In a grand, glamorous tradition...

Cristobal Balenciaga

Baron Nicholas "Niki" de Gunzberg

Gore Vidal

Hubert de Givenchy

Van Day Truex

Michael Greer

Roy Halston

We present, back by popular demand, Merle Bassett: The New York Years.





Sunday, October 3, 2010

Born On This Day- October 3rd... Writer Gore Vidal

"A Narcissist is Someone Better Looking Than You Are"

I played him once. Well, not exactly, but I based a character that I played- a theatre critic in Tom Stoppard's brilliant- The Real Inspector Hound, on Gore Vidal taken from his apperances on talk shows.


In my collection of favorite authors, there looms the Holy Trinity: Tennessee Williams, Truman Capote & Gore Vidal. If I was pressed to pick just one, I would pick the works of Gore Vidal. Brilliant, erudite, perceptive & sarcastic, Vidal could be my one writer library. He is the author of 23 novels, 5 plays, 3 memoirs, numerous screenplays & short stories, & well over 200 essays. With his pedigree (his grandfather was a US senator & his father was a member of Roosevelt’s Cabinet), some good luck & talent, Vidal was witness to almost a century of American political & social life.


His most famous series of novels: Burr, Lincoln, 1876, Empire, Hollywood, Washington DC & The Golden Age, are a fictional history of the United States from the American Revolution to the recent past. Vidal ran for Congress in 1960 & the U.S. Senate in 1982, & he lost both elections. Vidal turned his political genius into literature, chronicling the decline & fall of the American empire in a series of perceptive essays- United States: Essays 1952-1992, which won the 1993 National Book Award. In 2008, Vidal's best essays were collected in The Selected Essays of Gore Vidal.


Vidal’s latest, Point to Point Navigation, is a memoir about Vidal coming to grips with the loss of his partner of over 50 years- Howard Auster, who died in 2003. As always, Vidal’s personal drama unfolds against the backdrop of a larger political & historical tableau, in this case the spectacle of George W. Bush’s America as it sinks deeper into war, debt, & autocratic rule. The book’s title refers to Vidal’s flight service during World War, a method of visual navigation in which one flies from one landmark to the next. A follow-up to his 1995 memoir- Palimpsest, the new book returns to Vidal’s early years but focuses mostly on the last half of his life.

In the new Snapshots in History’s Glare, Gore Vidal begins one paragraph with the words: ‘Despite never having been very social…’. He then proceeds to talk of asking Andy Warhol, Mick & Bianca Jagger to visit him & his long time partner- Howard Austen, at their villa outside Ravello, Italy. Vidal:”Our old friends the Newmans (Paul & Joanne, that is) used to drop by. So did Lauren Hutton, Susan Sarandon, Rudolf Nureyev, Hillary Clinton, Sting, James Taylor, Leonard Bernstein, Johnny Carson, Bruce Springsteen & many others.” I have seen photos of a young Vidal setting off to war & later frolicking with Tennessee Williams; & of a middle-aged Vidal running for Congress & hobnobbing with JFK (Vidal shared a stepfather with Jackie Kennedy). Williams told Vidal that JFK had ‘a nice ass’; Vidal told Kennedy who said: ‘Why, that’s very exciting.’  How exhausting it would all have been if Vidal had actually liked company.Gore Vidal is a treasury of quips, bon mots & his vast knowledge of literature & history, particularly American history, shows him to be a sharp observer. His razor sharp tongue cuts down the powerful. He does it with aplomb: “Style is knowing who you are, what you want to say, & not giving a damn."



Saturday, October 3, 2009

"A Narcissist is Someone Better Looking Than You Are" Born On This Day- October 3rd... Gore Vidal

"There is not one human problem which could not be solved if people would simply do as I advise."


In my collection of favorite authors there looms the Holy Trinity: Tennessee Williams, Truman Capote & Gore Vidal. If I was pressed to pick just one, I would pick the works of Gore Vidal. Brilliant, erudite, perceptive & sarcastic, Vidal could be my one writer library. He is the author of 23 novels, 5 plays, 2 memoirs, numerous screenplays & short stories, & well over 200 essays. With his pedigree (his grandfather was a US senator & his father was a member of Roosevelt’s Cabinet), some good luck & talent, Vidal was witness to almost a century of American political & social life. His most famous series of novels: Burr, Lincoln, 1876, Empire, Hollywood, Washington DC & The Golden Age, are a fictional history of the United States from the American Revolution to the recent past. Vidal ran for Congress in 1960 & the U.S. Senate in 1982, & he lost both elections. Vidal turned his political genius into literature, chronicling the decline & fall of the American empire in a series of perceptive essays- United States: Essays 1952-1992, which won the 1993 National Book Award. Last year, Vidal's best essays were collected in The Selected Essays of Gore Vidal.

Vidal’s latest, Point to Point Navigation, is a memoir that finds the author coming to grips with the loss of his Partner of over fifty years, Howard Auster, who died in 2003. As always, Vidal’s personal drama unfolds against the backdrop of a larger political & historical tableau, in this case the spectacle of George W. Bush’s America as it sinks deeper into war, debt, & autocratic rule. The book’s title refers to Vidal’s flight service during World War, a method of visual navigation in which one flies from one landmark to the next. A follow-up to his 1995 memoir, Palimpsest, the new book returns to Vidal’s early years but focuses mostly on the second half of his life.


Gore Vidal is a treasury of quips &bon mots.& his vast knowledge of literature & history, particularly American, shows him to be a sarp observer. His razor sharp tongue cuts down the powerful. He does it with aplomb, saying, “Style is knowing who you are, what you want to say, & not giving a damn.”


“You can get sex anywhere. You cannot get a friend anywhere. I thought that would be clear to everyone."

Tuesday, May 26, 2009

Words To Live By

I am an avid reader (for someone who is dyslexic too!). I usually have more than one book going, one for the MAX train & one for at home, & in the summer, one for the beach. I subscribe to 22 magazines, which I read as a book- from front to back, letters to the editor to appendix.The magazine habit started when my Aunt Sharon gave me a subscription to The New Yorker & Variety when I was 8 years old. I collect certain writes & genres. I have gone through phases of The Algonquin Round Table & Bloomsbury groups. My favorite book is The Amazing Adventures Of Kavalier & Clay by Michael Chabon. I love to get lost in a good novel, but I tend to move toward biographies, memoirs & essays. A great way for me to waste a rainy afternoon in winter is to slowly leaf through a "coffee table" book likeThe Hill Towns of Italy.

A book arrived on Friday & the husband was all- "what is it, what is it?". I unwrapped- The Selected Essays Of Gore Vidal (an author I collect) & the husband (quite the reader himself) looked crest fallen & dryly tossed off (in the manner of Mr. Vidal, himself)- "But, of course".

"A narcissist is someone better looking than you are"
Gore Vidal

Saturday, April 18, 2009

Quote Of The Day

"I never miss a chance to have sex or appear on television"
Gore Vidal