Monday, August 2, 2010

Let's Not Forget Miss Myrna Loy's Birthday

On a road trip the Husband & I play a game of FAVORITES. In rhythm, without missing a beat, one has to ask a favorite & the other must answer with out going off the beat, & then offer up another favorite category. I have learned a great deal about my spouse this way because there is no time to intellectualize or give pause to think. Early in our relationship, this is how I discovered that his favorite Golden Age of Hollywood Female Star is Myrna Loy. The Husband certainly has good taste, & having just posted in the birth of William Powell, I feel compelled to post on Miss Loy’s birthday, because you see, I love her also (although my answer during a a game of favorites is Barbara Stanwyck.)







Myrna Adele Williams was born on this date in 1905 in rural Montana, & she moved to Southern Californina in1 912, the sunny warm weather was thought to be of help for her mother's ill health.. She found work in the chorus that performed live between features at Grauman’s Chinese Theatre. She was noticed by Rudolph Valentino & a was hired as an extra for Pretty Ladies, in which she and fellow newcomer Joan Crawford were among a bevy of chorus girls dangling from an elaborate chandelier.


Loy's high pitched voice made her transition to talkies difficult. She was often cast as Oriental or Mexican in her early sound films. Her performance in Penthouse (1933) convinced the MGM brass to cast her opposite William Powell in the 1st of the 6 Thin Man features, 1934's The Thin Man in which she portrayed Nora Charles. The film was a huge success & she found her well deserved Hollywood stardom. She became Hollywood's perfect wife, bright, witty & humorous. Loy took a break from films during WW2 except for another film as Nora Charles to devote herself to Red Cross work & selling war bonds.


She returned to the movies in 1946 making such terrific films as The Best Years of Our Lives (1946), Song of the Thin Man (1947), the last of the series, The Bachelor & the Bobby-Soxer (1947), Mr. Blandings Builds His Dream House (1948), The Red Pony (1949), Cheaper by the Dozen (1950), & the sequel Belles on Their Toes (1952).


She became more involved with liberal politics & only acted occasionally for the rest of her life. From 1949-1954 she served as a film advisor for UNESCO & she served as an advisor to the National Committee Against Discrimination in Housing. She appeared in Midnight Lace & From the Terrace in 1960, The April Fools (1969), Airport 1975, The End (1978), & Just Tell Me What You Want (1980). She starred in several films for television & made her Broadway debut in 1973 in a revival of The Women.


Like her friend- Cary Grant, she never received an Oscar for acting. She received an honorary Academy Award in 1991. Myrna Loy passed away in NYC during surgery on December 14, 1993. Class act, deserving of being the Husband’s favorite. He has the best taste.

Born On This Day- August 2nd... Director John Dexter

John Dexter worked & mingled with the greatest talents of his day: Laurence Olivier, Joan Plowright, Rudolf Nureyev, Paul Scofield, Richard Burton, Stephen Sondheim, Maria Callas, Anthony Hopkins, Kenneth Tynan, & Maggie Smith, among others. Often working with a nearly bare stage to draw out the audience's imagination, Dexter worked to bring freshness to his work without getting in the way of the considerable talent that he had assembled. When the producers of M Butterfly approached him to direct, Dexter countered: “I am know to be difficult, British, homosexual, & expensive, & whilst I can, with modified rapture, admit to the first 3 charges, the last is deeply wounding.''



John Dexter, with little formal education, was a leading English director of theater & opera. He won 2 Tony Awards, & was known for the sweep of his directorial imagination with contemporary plays & classics. In the late 1950's & early 1960's Dexter led the Royal Court Theater into trying new & venturesome plays. Under the leadership of Laurence Olivier, he also served for 7 years as an associate director of Britain's National Theater. In later years, as a director of opera & as director of productions for the Metropolitan Opera (from 1974 to 1981), he achieved a international reputation for a new theatre form.


He won his Tony Awards as best director for David Henry Hwang's M Butterfly, & for directing Peter Shaffer's Equus. His final Broadway production was a revival of The Threepenny Opera starring Sting.


Dexter's career led him from small, naturalistic plays to grand epics, & he moved with apparent ease, although sometimes with controversy. The range of his work was demonstrated by the plays he did in association with Mr. Shaffer: the historical spectacle of The Royal Hunt of the Sun, the farce Black Comedy & the psychological drama Equus.


Shaffer: ''Dexter directs powerfully through suggestion. Into the theatrical spaces he contrives, flows the communal imagination of an audience. He enables it to charge the action of a play with electric life. He is a master of gesture and of economy. Esthetically, his foundation ranges Noh drama to Bertolt Brecht: the plain plank; the clear light; the visual pleasure of the set. He is naturally drawn to plays which demand elaborate physical actions to complete them.''


I was fortunate enough to have spent Christmas Eve-1976 at the apartment of actor Michael Higgins who was appearing with Richard Burton in Equus on Broadway at the time. Mr.Higgins' daughter was a friend of my buddy WCK3. John Dexter was in attendance. His acerbic wit & biting tongue were a bit cruel & I was more than a little intimidated, but I sensed that beneath the satire & irony there was self-doubt & nervous tension. Being Christmas, I told him that I greatly admired his work & gave him a big hug. He died in 1990.

Sunday, August 1, 2010

Aural August Arrangments

The Post Apocalyptic Bohemian & the future Husband, summer of 1980. The song of that summer: Blondie's Call Me

August is my favorite month, with no holidays; I feel imposed on by holidays & I just don’t go for most of them. August has a full 31 days (I have a mortgage, it makes a difference). Late summer: sunflowers, 80 degrees days, cool nights, no humidity, the garden at its apex (we have a real summer garden), busy mornings & lazy afternoons, cocktails by candlelight in the garden at night. August is the monthly equivalent of good sex (July is HOT sex, December is cuddle sex).


Even if I haven't taken a vacation in years, even if I use the old surfboard as a coffee table, even if my tan owes more to the glow of my laptop than the heat of the sun, even if I am forced by circumstances to stay home, the hot month before Labor Day can still bewitch me with the whiff of an escape. My memories of late summer are hard to shake, & music only makes the memories more vivid. listen to Every Breath You Take or Rock the Boat & I associate the song with the golden season that produced it.

Summer songs are not like fall or spring songs. The greatest summer tunes tend to be romantic- Under The Boardwalk & rowdy- Born to Be Wild, revolutionary- The Message or silly -My Sharona. These songs peaked during August (ruling out Good Vibrations, a classic that hit in the dead of winter). For me they capture the breezy, lazy quintessence of summer. Here are10 songs on my summer mix:


Martha & the Vandellas
Heat Wave
August of 1963
I danced to this song on stage in The Boys In The Band in 1972. One of the earliest smashes from Motown's legendary Holland/Dozier/Holland songwriting team, this song's central metaphor was driven home by music as riveting as Martha Reeves' scorching vocal delivery. With the Vandellas urging her on (''Go ahead, girl!''), the singer seemed to be courting heatstroke as she worked herself up into an impassioned frenzy.




The Drifters
Under the Boardwalk
August of 1964
It is now impossible to experience of the romantic scenario dreamily laid out by the Drifters, under the boardwalk, at Coney Island.The formerly cavernous space under the decaying planks has been filled in with sand. Should this ballad work as a period piece? I think this make-out place is a safe place we can always retreat to in the shade of memory.


Madonna
Borderline
August of 1984
The airwaves gave into that poignant opening keyboard lick, burbling disco melody, & masochist lyrics. If infatuation is an essential summer experience, then so is romantic frustration. Pleading while standing up for herself, Madonna scored her first top 10 hit & made romantic disappointment uplifting.


Sly & the Family Stone
Hot Fun in the Summertime
August of 1969
One of Sly's most sophisticated productions, this remarkable record blended piano, strings, brass, & post-doo-wop harmonies into an enduring hymn to the effects of free time & hot weather. Has there ever been a more meaning-packed non sequitur than ''Bop-bop-a-bop-bop when I want to'' for bringing bliss both wholesome & wicked? Blith, bouncy, breezy, bright & bawdy.

The Hues Corporation
Rock the Boat
August of 1974
The epitome of summer trifles, from an L.A. trio who never went top 10 again, this bit of disco bubblegum had a rollicking rhythm that matched its title, not to mention lyrics great for boating season: “Our love is like a ship on the ocean. We’ve been sailing with a cargo full with love and devotion''. Depending on your politics, it was also a great way to celebrate Richard Nixon's resignation.


Grand Master Flash & the Furious Five
The Message
August of 1982
Like a mirage on a hot day, 'The Message' floated right off the steaming asphalt of the NYC streets. 7 stark & sweltering minutes about life in the ghetto. DJ Flash served up the shimmery synthesizers & quaking beats.The Message gave me my 1st taste of socially conscious hip-hop.


The Police
Every Breath You Take
August of 1983
STALKING never sounded as sweet as it did during the summer of 1983, when Sting's tune about spying on a lost love smothered the airwaves like Bain de Soleil. Although it seems like wistfully romantic ballad, Every Breath You Take is a mean little song, dangerous & actually nails down the acquisitive spirit of the 1980s ''Oh, can't you see?'' Sting's lament warned. ''You belong to me.''


Donovan
Sunshine Superman
August of 1966
This giddily effervescent trifle (possibly the first #1 pop song to contain an explicit drug reference) went down easy no matter what kind of sunshine you thought he was talking about.


Prince
Little Red Corvette
August of 1982
The prefect great car song. Still makes me horny.




Marvin Gaye
Let's Get It On
August 1973
The music was as suave as the title was blunt on this peerless seduction anthem.


I am interested in your August Songs. Leave a comment & I will send you a custom mix... because I care.