"It's the horror movies you'll be remembered for" the geeky fan/ interviewer tells the aging Whale in the film, & despite his gentlemanly manners, you can see irritation in McKellen's eyes. But, the geek is correct of course. Whale's other movies, even his successful version of the musical- Show Boat are mostly forgotten in the 21st century, but people still watch Frankenstein & The Bride of Frankenstein. The look of the monster: square head, seams, scars & neck bolts is a visual icon of the 20th century.
James Whale was a painter before he was a stage & film director, & his eye for design is part of what makes his films so memorable. Besides the look of the monster, played by Boris Karloff, he also created the hairstyle & elegantly stitched scars of the Bride played by Elsa Lanchester. Whale had seen the great German silent horror movies that were never widely released in the USA, & from them he took the starkly dramatic lighting & impressionistic sets, & along with his art director Charles Hall, created the style of Universal Studios Gothic: huge shadowed interiors with enormous doors, imposing staircases & long shadows.
Gods & Monsters asks us to consider that a major influence on Whale's work was his time in the trenches in WW1. The film uses flashbacks of a foxhole lover to provide Whale with awful memories of the young lover’s death. But the war really did the same for the actual Whale. He was in the thick of some intense battles, before ending up in a POW camp, where he began his stage career by producing amateur theatricals.
There is a beauty, perversity, & wit in Whale's Frankenstein films. His dark, horrid, funny work paved the way for directors like Brian De Palma, David Lynch, George A. Romero & Tim Burton.
Whale was an uncloseted gay man in Hollywood during the1930s. While Gods & Monsters is fiction, his real last lover was a gas station operator who for a while had to share Whale with a male nurse. I have read that the Frankenstein films were a way for Whale to give a coded guide to his sexuality & his feelings of being a misunderstood outsider, a lonely monster. Gods & Monsters evokes this with an understanding & even elegance. But, Whale's longtime partner, David Lewis stated: "Jimmy was first & foremost an artist, his films represent the work of an artist, not a gay artist, but an artist." Whale may have identified with the monster not because of his sexuality, but because of his background as a member of a lower class in England.
Whale directed the 1928 play Journey's End on London’s West End & then on Broadway . He moved to Hollywood to direct the film version & lived there for the rest of his life, most of that time with his longtime companion, David Lewis, the prodicer of films such as Dark Victory & Raintree County. They were a couple for 22+ years.
He will always be remembered most for his work in the horror film genre: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) & Bride of Frankenstein (1935), but Whale directed many films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror & never returned to the genre.
Having experienced WW1 first hand, Whale seemed an inspired choice to direct The Road Back, a sequel to All Quiet on the Western Front in 1937, but the film was a critical & commercial failure. A string of more failures followed & by 1941 his film directing career was over. Whale continued to direct for the stage & also rediscovered his love for painting. He had invested wisely & he lived a comfortable life until suffering several strokes in 1956 left him in pain. Whale committed suicide on 29 May 1957 by drowning himself in his backyard swimming pool. His former partner- David Lewis would later reveal the details of Whale's suicide note.
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